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supported by 4 fans who also own “Year Ender”
This album is packed with raw anger. It is the true form of expression of the modern age. It speaks for those who are mute, and delights those who see.
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supported by 4 fans who also own “Year Ender”
Their earlier album, Bleak, is comprised of decent but pretty straightforward guitar shoegaze. This one, though? It’s got the best shoegaze elements going for it, but is touched by electronics, guitar freakouts and jangle interplay a la Kinski or Ride, elements of 60s psychedelia (Asteroid #4, Apples in Stereo), and the occasional Krautrock influence.
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Jangly, slick pop rock has shades of early Bangles and the Pandoras.
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Jagged post-punk from Sydney captures the sound of the ’70s in its acute angled guitars and detacted vocals.
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Revved-up and totally askew post-punk from Buffalo’s Ismatic Guru, with guitars that corkscrew like mad.
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Dark and seething post-punk from Cincinnati that's appealingly janky enough to make a tired genre feel fresh and urgent.
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Visible Damage
by SELF IMPROVEMENT
Whip-smart post-punk coursing with nervous energy, dancey beats, and venomous humor from Self Improvement.
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